Therefore, they needed and developed new methods – in particular a mathematical model deriving from the physics of light reflectance that would highly correlate the results of measurements (of L* and optical density) with those of subjective evaluation. I was looking to see how the printer would handle resolution and overall contrast at these settings, as well as the fidelity of the B&W toning in Figure 20 and the neutrality in Figure 18; it did very well. Your purchase helps support this site. This outcome is also very satisfying. In general, the M0 versions of the profiles returned the most accurate results. If I examine such prints at optimal viewing angles for seeing image detail, vibrancy and dynamic range, this gloss differential is not apparent; this probably because, for optimal viewing, the correct placement of the print relative to the primary lighting source and the observer would minimize surface glare and texture. One prints this test image of course without making any adjustments to it. Their equations were developed from data they gathered in a range of environmental and lighting scenarios using a spectroradiometer (another kind of instrument placed at the point of observation, which overcomes the limitations of spectrophotometers). However, they also mentioned (and I agreed) that the outcomes appear really close between all of them. Now, when you consider that the L* values read from the Black (L*0) patch of the accuracy test page with the i1Pro2 spectrophotometer indicate L* 13.8/14 for FA Smooth and 2.9/3.6 for FA PolRag, it is clear that the value of Black assessed from subjective evaluation and that read with the spectrophotometer don’t correlate – in the sense that the matte Black (FASmooth) doesn’t look ten levels lighter than the luster (FAPolRag) Black as the L* values would suggest it should, making the point of the Canon scientists. As with previous Canon printers, the print head is user-installed and user replaceable. Readers of my Pro-1000 review may recall that this worked reasonably well, achieving an average dE of 1.26 for the Pro-1000 printer and Canon Pro Luster paper. The footprint of this machine considering the 24-inch carriage width is the smallest that’s been designed for this size carriage that I’ve seen. All rights reserved. I selected the illustrations below to see how particular properties would show in the prints. Set up your online access now. It also uses Canon’s Chroma Optimizer, the first time it has been used in the company’s 24-inch printers. The bottom line is that I’m satisfied Canon’s PSP Version 2.1.0 in “No Color Correction” mode combined with X-Rite professional grade profiling hardware and software provides a viable vehicle for producing highly satisfactory, reliable profiles in both printers. Figures 23 and 24 are from Goreme Turkey and Toronto respectively. white, grey, or black), the position of the observer and the relative strength of the lighting reflected from the print as between diffuse reflection from a primary light source, versus specular reflection from a secondary light source (i.e. Figure 6 shows the new print head compared with the model for previous large format models. Another very useful touch is the included Accounting Manager software. This in itself was telling – the answers were not so obvious as the prints appear so similar. When it comes to photo prints, we’re firm believers in the mantra that “bigger is better.” Canon’s imagePROGRAF PRO-2000 aims to deliver wide-format printing that’s accessible to photographer and print lab alike. Premium FAPolRag is really a superb paper in the cotton-rag luster niche, so I am encouraging Canon to try to obtain this paper in sheet form and market it for the Pro-1000 users who can’t attach rolls. Very much as I had expected based on my observation, for the most part, the winning paper for Black appearance was FA Smooth (recall: matte) in the Pro1000/2000, and the winning paper for vibrancy was FA PolRag or IGFS in the Pro-1000(recall: luster-like). fairly flat bar chart shape (less likely to be bothersome), or a much more peaky shape where some dE values diverge widely from the average with all the rest being quite close to the average (the outlying colours being more likely bothersome). canon u.s.a.,inc. I at first assumed that as the Pro-1000 and Pro-2000 use the same inkset and printhead, I could use custom Pro-1000 profiles in the Pro-2000, but I was disappointed. Now, when you consider that the L* values read from the Black (L*0) patch of the accuracy test page with the i1Pro2 spectrophotometer indicate L* 13.8/14 for FA Smooth and 2.9/3.6 for FA PolRag, it is clear that the value of Black assessed from subjective evaluation and that read with the spectrophotometer don’t correlate – in the sense that the matte Black (FASmooth) doesn’t look ten levels lighter than the luster (FAPolRag) Black as the L* values would suggest it should, making the point of the Canon scientists. I showed these prints to several people whose print evaluation skills are good and they were enthusiastically received. We’ll get into that, but I’ll say up-front I am reporting on these processes and experiences especially because I think the issues I encountered and their solutions could be useful to others, and could elicit constructive conversation on this website about causal factors that are beyond my expertise. To celebrate the 40th anniversary of Tamron’s SP lens line, they’ve introduced a prime lens that represents the culmination of the design and technology skills they’ve amassed in over four decades of lens making, the SP 35mm f/1.4 Di USD for Canon and Nikon full-frame DSLRs. It took us between four to 10 minutes per print, depending on the size. If you plan on monetizing your investment with print sales, the software can help you set margins and track your ROI. lighter) for FASmooth than for FAPolRag, as expected. The imagePROGRAF PRO-2000 can deliver professional prints with the 2400 x 600 dpi resolution. I participated in setting up the first Pro-2000 that Canon Canada received, in their printer lab, at the time located in Mississauga Ontario. no comparator) GMCC patches with yet wider divergences from their reference file values can still look pretty normal. One blind tasting was held at the new Canon printer lab in Brampton Ontario, which has a nice combination of very even daylight and overhead indoor lighting, and the others in my living room, which has large windows allowing in generous amounts of daylight. All three models offer comparable print resolutions and media handling. By this time, Canon Canada had received their first sample packs of three new papers Canon was bringing to market: Premium Fine Art Smooth (hereafter FAS – a matte paper), Premium Fine Art Bright White (hereafter FABW – also a matte paper) and Premium Fine Art Polished Rag (hereafter FAPR – a luster-like PK paper). All three papers (Premium FASmooth, FABrightWhite, FAPolRag) have cotton rag substrate and no OBAs. The PRO-2000 is a 24″ width large format printer. One observer remarked that this is as much a reflection on the state of the technologies as a result of consistent, high quality profiling (so X-Rite and I will take the blame for the latter). Site Map, © 2021 Emerald Expositions, LLC. The latest in printing, papers and post storage on display during PHOTOPLUS in New York City this last October. I discuss this factor in greater detail at the end of the profiling discussion after Figure 13. So the Canon folks have done something very special with this combination of inkset and papers – getting much closer to an appearance match between the matte and luster papers, making the matte look considerably blacker and more vibrant than we are accustomed to seeing from a matte paper. It may also vary depending on the paper. Buy Genuine ink cartridges for Canon imagePROGRAF PRO-2000 and enjoy clear, accurate printouts from your … Skin tones on Patiño’s portraits were beautifully reproduced and the colors were richly saturated. As with most Canon printers, you must install the … Working jointly, it took us an hour and a half from opening the box to completing the calibration print. The outcomes changed like magic. As I profiled and printed with the three new papers in both the Pro-2000 and Pro-1000 printers, I made sure to print the Figure 14 test photo for purposes of comparing Black rendition and overall vibrancy between the three new papers (plus several others) and two printers. That said, Epson’s P6000 takes two fewer cartridges. So we use good profiles, whether OEM or custom, in order to make good prints with as little waste as possible, and it is here where the Canon Pro series printers really shine. This was made possible because the ink tanks are positioned top-back rather than on the sides. Where to Buy? (That said, the thing will still visibly shake as it prints.) More », August 21, 2019 I’ve had questions about this printer for many months since its launch in 2015, and now that they are shipping (Spring 2016) I’ve taken a long hard look at what it can do.I use Apple Macs for all my work, so the review is entirely based on using them, but apart from some screen layout differences, the functionality is essentially the same for Windows users.The basic specifications: [Full Specs at foot of article] 1. The intent of printing this photo was to see how well the printer/paper could handle crisp detail and very natural-looking colour saturation, in particular winter-blue sky and the maroon-red on the ship, as well as the tonal relationships between the white cranes and the background. I’ll show the “real-world” photographs with which I tested FASmooth below. PDN Subscribers get instant access to this site for FREE. Figures 18, 19 and 20 are from film scans of photos I made at Angkor Wat and scanned in 2004. I just happen to be more comfortable – and perhaps it makes soft-proofing more reliable – using profiles that render image file values quite correctly. This is readily apparent from the gamut volume data and profile shapes emerging from reading the profiles of the new papers in ColorThink Pro (Figures 16, 17). The width is only wider than the carriage by the amount needed for the transport mechanism. The test prints I made using the Atkinson printer test page for all these profiles indicate fully satisfactory rendition of memory colours, fully satisfactory rendition of shadow detail, exceptionally rich, neutral-looking Blacks and smooth tonal gradations for all three papers in both printers. In this article, I have chosen to focus on several key elements relating to overall usability and print quality. I would like to acknowledge from the outset the very generous commitment of time, materials and insight that staff members of Canon Canada, Canon USA and Canon Inc. (Kanagawa, Japan) have contributed, enabling me to write this article, always based on the principle that I remain in charge of what I say here. The first step of course, is to address item (1), which I did. The Canon imagePROGRAF PRO-2000 is a wide-format inkjet printer. I prepared one set of 24 observations using my Epson SCP800 and Ilford GFS paper. The PRO-2000 supports three different ink tank sizes, a 160ml cartridge, plus 330ml and 700ml tanks. (2) Depending on the answer to (1), can I improve using Pro1000 custom profiles in the Pro2000 printer? Well, sad to say, but no such good fortune repeating the same exercise with the Pro-2000. Or put otherwise, due to certain limitations of spectrophotometers, a series of measured L*a*b* values versus the ordering of Black shades from dark to lighter reported by viewers’ subjective evaluation can be inconsistent depending on the characteristics of the observation environment – particularly the colour of the walls (e.g. Photography and Camera News, Reviews, and Inspiration. Free shipping on orders over $75.00! Premium FASmooth is a Canon designed paper now in its commercial packaging and being offered in rolls and sheets. If I examine such prints at an absurd angle for print viewing, the surface gloss of the inked and non-inked areas appear to differ a bit. This is a handy feature for commercial printing environments where high-productivity translates into money, and it assures that the principal cartridges are empty before being discarded – all of its ink has passed into the sub-tanks by the time it needs replacement. The intention of the B&W photo (converted to B&W in Lightroom) was to show how well the printer reproduced tonal gradation in highlight to mid-tone areas, particularly affecting the billowy “feel” of the clouds, as well as the blacks and shadow detail in the lower right. The intention of the colour photo is to show how the printer would reproduce memory colours such as blue sky and green grass, as well as the overall detail (particularly shadow detail) of the stone sculpture. The way I configured it shows “correct” and “deviating” patches side by side. This confirmed my view that this is a printer/paper combination I would readily use again for any photos where matte treatment seems particularly appropriate, and where I want to see rich-looking Blacks and correct vibrancy. Photography equipment news and reviews, business and technical advice from top pros, industry news and much more, delivered to your inbox each week. Regardless of all I said just above, the fact remains that the gamut of the luster papers still considerably exceeds that of the matte papers. I found it impossible to distinguish between the P800 and the Pro 1000 for the FA PolRag result, where the P800 is the deepest Black by 1 L*. The red bar is the average of the 24 to the left of it. Want more PDN? When used in tandem with the included roll feeder, the Multifunction Roll System lets you load a second roll of media and seamlessly switch between the two. The user registers the media type for each roll in the printer LCD menu; thereafter when selecting that media type in the driver for printing, the printer knows from which roll to draw the paper. At that point, a single person can do the rest of the setup, which isn’t overly complicated. I’ve done a fairly extensive exercise on (1) to see for myself what the practical meaning of profiling accuracy may be, while (2) is a personal matter partly depending on (1). One observer preferred the Hahn PRBar from the Pro1000 for both Black appearance and vibrancy, but found the FA Smooth from the Pro1000/2000 very close contenders. Patiño says he couldn’t have been happier with the results. The image quality was impeccable. OEM cartridges for Canon imagePROGRAF PRO-2000 available to you right on our site. Find 32 listings related to Canon Camera in North Scottsdale on YP.com. Moving on to item (2), using Pro-1000 profiles in the Pro-2000: I merrily set-about creating a custom profile in my usual way – using the Adobe Color Print Utility (ACPU) to print the profiling targets (because colour management needs to be disabled and this utility is *supposed to do that* and always did in the past), then measuring them with my i1Pro 2 and making three profiles corresponding with M0, M1 and M2 conditions. Click here to sign up for our email newsletter and get the week’s top stories delivered straight to you. Very much as I had expected based on my observation, for the most part, the winning paper for Black appearance was FA Smooth (recall: matte) in the Pro1000/2000, and the winning paper for vibrancy was FA PolRag or IGFS in the Pro-1000(recall: luster-like). The Canon faithful should be extremely pleased based on what I've seen so far. sub-illuminant, such as from walls of the viewing room). Hence, I undertook some diagnostics, going back to very familiar territory that worked well in the past – profiling my Epson P800 using ACPU and all the usual settings – but this time with Canon Pro Luster paper. It does not require user intervention to evaluate the correctness of patches in the calibration target. *Why* has never been clarified, this being a matter best left to the engineers in Adobe and Canon, but my basic objective was to see what works best empirically and then use it to print. By submitting this form, you are consenting to receive marketing emails from: Luminous-Landscape.com, 1060 North Capitol Ave., Suite C-375, Indianapolis, IN, 46204 United States, http://www.luminous-landscape.com. I appreciate how Canon’s scientists went about re-examining the question of print appearance from first principles and came up with a new set of inks and papers that go a very long way to producing on matte paper the kind of tonal and vibrancy appearance we are accustomed to seeing from the luster/gloss class of papers, where Blacks rendition and vibrancy are very satisfying. Between the ease-of-use and image quality, he says, it’s a great addition to any studio that wants to produce wide format images. Regarding the profiling, I found the OEM profiles to be useful, custom profiling perhaps better for the super-critical and for this option, best to use Print Studio Pro for printing the targets. Review Canon … Likewise, for the Canon Pro-1000, I obtained results of 1.02, 0.93 and 1.02 for FAS, FABW and FAPR respectively. Well, yes and no. I also printed several in the Epson SCP800 (on Epson Legacy Baryta, Ilford Gold Fibre Silk and Hahn PhotoRag Baryta), as I know readers are interested in such comparisons (Figure 15). My operating system is Mac OSX either El Capitan or Mavericks depending on the computer in use. They were also exercised by an important problem, the extent of which they measured, that the comparative measurements of black density with spectrophotometers do not necessarily correlate well with Black shading appearance in all viewing environments. The results of this exercise were excellent: an average dE(76) of 0.75 – one of my best. The rendition of fine detail is remarkable. When you’ve opened images in it, you’ll be unable to return to Photoshop to do further edits on the photo, which is inconvenient. His answer was an unequivocal yes. 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